Avoiding plot summary
Some Strategies for Success
A frequent criticism you may receive on marked literature essays is that you have done too much “telling of the story” – in other words, rephrasing, paraphrasing, or summarizing of the work’s contents. If you have been told, “Don’t tell me what happened; show me why it is important,” you may wonder how to do the latter without having done the former. And if you have been told, “Assume your reader has read the work,” you may wonder how you can possibly discuss a work without referring to specific statements or events within it. The following points should help you to distinguish between unnecessary plot summary and necessary analysis.
The following two paragraphs discuss with equal accuracy and intelligence the same passage from Shakespeare’s 1 Henry IV. Only one of these, however, would be considered acceptable in a university English essay. The other is merely a well-written plot summary and contributes virtually nothing to our understanding of the significance of the episode.
A. In the first scene, King Henry compares his own son unfavourably with Northumberland’s warrior son Hotspur. He says that Hotspur is “the theme of honour’s tongue,” whereas the wastrel Hal is stained by “riot and dishonour.” The king wistfully wishes that some fairy had exchanged the two in infancy so that he (and the nation) might now have a more suitable prince. Henry then asks his counsellors the meaning of Hotspur’s withholding from the crown a number of Scottish prisoners recently taken in battle. Westmoreland replies that this apparent disloyalty is not the fault of Hotspur but of his malevolent uncle, Worcester, who has induced Hotspur to “prune himself” and “bristle up / The crest of youth against your dignity.”
B. King Henry’s unfavourable comparison of Hal’s “riot and dishonour” with the heroic virtues of Hotspur (“the theme of honour’s tongue”) effectively introduces and interests us in the two main characters, even though they have not yet appeared on stage. It also establishes from the very outset the conflict between the King and his son and sets up an important structural feature of the play, the juxtaposed careers of Hal and Hotspur. We are, furthermore, alerted at once to the play’s persistent preoccupation with the theme of “honour.” In this passage, then, Shakespeare has two different young men “bristle up / The crest of youth” against the “dignity” of the king and thus sets in motion at one stroke several of the central dramatic elements of this work.
Obviously B would receive a much better mark, as it analyses and interprets plot events rather than simply recounting them.